by Paul E. Robinson

While opera fans are notoriously old-fashioned when it comes to stage directors bringing overarching new ideas to their favourite works, it is clear that if opera is going to have any future, it must be open to creative re-thinking.
Wieland Wagner successfully updated his grandfather’s “Ring” cycle at Bayreuth in the 1950s, and [...]

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review by Paul E. Robinson
 
I learned about opera watching Herman Geiger-Torel build the Canadian Opera Company in Toronto, first in the Royal Alexandra Theatre and later in the dreaded O’Keefe Centre, and through annual visits to Maple Leaf Gardens by the Metropolitan Opera. As a young man, I welcomed the opportunity to see real, live opera. [...]

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